He has so far traveled to Uganda, Nigeria, Ghana and is now in Ivory Coast. In Uganda, he goes to the Kasubi tombs, and explores the tradition of Kabaka - the kings of the Buganda, a kingdom/region within Uganda. The one thing that seemed catchy was the way Kabaka were buried:
The corpse of the king would have been dried over a slow fire for three months. Then the jawbone would have been detached and worked over with beads or cowries; this, together with the umbilical cord, also worked with beads, and the penis and testicles, in a pouch of animal skin, was what would have been buried here. The rest of the body, the unessential man, so to speak, would have been sent somewhere else.In both Uganda and Nigeria, he meets lot of people who fleece him, and while meeting every godman, Naipaul seems to be constantly agonizing over how much money he would have to pay. His distrust and the agony is almost comic, but not quite. It appears like his experience is constantly colored with this agony, and almost always he seems to not want to carry out a plan he himself suggested. So if anything sounds worse than the touristy nature of his exploration, it is the reluctance of that tourism.
There is one story is Nigeria, not so much about beliefs, but related to social customs - the story of Laila and her daughter. Laila marries a Muslim king, against all advice, and finds herself having to live with her husband's other marriages and the 'mess of harem life'. She struggles to bring her daughter out of this life and marries her off to an old Arab doctor who lives in Dubai. In time, the doctor too brings a second wife home. It is a sad tale, and to imagine the frustration of this young woman is heart-breaking.
The Ghana section is almost too touristy, something that I hardly enjoyed. It was also a more political commentary than one on beliefs.
The section on Ivory Coast has begun with the legend of Houphouet who went through an elaborate ritual to gain power. Exotic.
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